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    The Movie Buff
    • Thriller
      July 13, 2026

      ‘Strung’ Review: The Thriller is Beautiful to Look at but Fails to Deliver Any Thrills

    • Independent
      July 13, 2026

      UK Asian Film Festival 2026: ‘Shadowbox/Baksho Bondi’ Navigates a Mind Imprisoned by Illness

    • Staff Recommends
      July 12, 2026

      ‘The Invite’ Review: Is There Room for Reconciliation or Love Lies Bleeding?

    • Independent
      July 12, 2026

      Indie Interviews: In Conversation with Ari Groobman on His Short Horror Thriller, ‘Projection’

    Action

    Review: With Hard-Hitting Action, ‘The Furious’ is the Year’s Best Action Film So Far

    ‘Mother, You Have Not Died Yet’ Review: Grief Has Poor Boundaries

    ‘The Death of Robin Hood’ Review: The Classic Tale of a Hero Reconstructed to Both Monotonous Tides and Intriguing Heights

    Now Streaming

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    ‘Strung’ Review: The Thriller is Beautiful to Look at but Fails to Deliver Any Thrills

    By Montearo BrownJuly 13, 20260

    “Strung,” directed by Malcolm D. Lee (“Space Jam: A New Legacy,” “Night School”), is a 2026 mystery thriller that may…

    ‘The Veteran’ Review: The Indie Film Shows How Empathy and Understanding Can Change a Man’s Life

    By Mark ZiobroJuly 4, 20260

    Wilfred La Salle’s indie picture “The Veteran” is the most American film review I could post this July 4th. A…

    Men’s Mental Health Awareness Month: How ‘Ted Lasso’ Saw Through the Men Who Say They’re Fine

    By Paul Emmanuel EnicolaJune 29, 20260

    ‘Stepfather’ (2026) is an Uninspired Remake of the ’87 Original with Weak Writing and Treatment of Mental Health

    By Montearo BrownJune 29, 20260

    ‘Urban Myths: Necromancy,’ is a Grisly and Gay Vignette that Demands its Own Feature Outing

    By Vidal DcostaJune 20, 20260

    ‘Seven Snipers’ Review – The Australian Sharpshooter Thriller Misses the Mark

    By Matt SwansonJune 10, 20260

    Film Festivals

    Latest coverage from Tribeca, Fantasia, NYFF, Sundance, SXSW, Cannes and more -->
    Film Festival

    Tribeca 2026 Review: ‘Stand Clear ‘ the Closing Doors’ is Too Short to Fully Make its Points Stick

    By Mark ZiobroJune 21, 20260

    Directed and written by Stacey Sargeant, “Stand Clear ‘ the Closing Doors,” which played in the Tribeca Festival’s shorts program,…

    Tribeca 2026: Interview with ‘Saba’ Writer and Director Liron Topaz on his Dreamlike Animated Short Film

    By Mark ZiobroJune 18, 20260

    Tribeca Festival 2026: Interview with ‘Eeny, Meeny, Miny, Moe!’ Director Andrea Szelesová and Producer Kristina Husová

    By Mark ZiobroJune 17, 20260

    Tribeca Festival 2026: Tao Zhang’s ‘Against the Flow’ is Artistic and Introspective Yet Bleak and Abstract

    By Mark ZiobroJune 15, 20260

    News & Articles

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    • Feature Article
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    Men’s Mental Health Awareness Month: How ‘Ted Lasso’ Saw Through the Men Who Say They’re Fine

    By Paul Emmanuel EnicolaJune 29, 20260

    I don’t usually have a lot of patience for television. That’s not a badge of honor, nor some curmudgeonly critic stance I’ve chosen to preserve for dramatic effect. It’s mostly…

    ‘Obsession,’ and the Horror of Getting Exactly What You Asked For

    June 28, 2026

    Interview: Carl Joseph Papa on 58th, Animation, and the Fight Against Forgetting

    June 25, 2026

    Ranking the Big-Screen ‘Robin Hood’ Movies, Including Michael Sarnoski’s ‘The Death of Robin Hood’

    June 19, 2026

    40 years of ‘Top Gun’ and Why the Hit that Almost Wasn’t Continues to Stay with Us

    June 18, 2026

    Staff Recommends

    Staff Recommends

    ‘The Invite’ Review: Is There Room for Reconciliation or Love Lies Bleeding?

    By Hector GonzalezJuly 12, 20260

    Marriage is a difficult thing. I wouldn’t know from my own experience. But as I’ve…

    Horror

    ‘Leviticus’ Review: When the Monster Has the Face of What—and Who—You Want

    By Paul Emmanuel EnicolaJuly 7, 20260

    (Critic’s Note: This review discusses key plot details of Adrian Chiarella’s film “Leviticus.” Some spoilers…

    Feature Article

    Men’s Mental Health Awareness Month: How ‘Ted Lasso’ Saw Through the Men Who Say They’re Fine

    By Paul Emmanuel EnicolaJune 29, 20260

    I don’t usually have a lot of patience for television. That’s not a badge of…

    Feature Article

    ‘Obsession,’ and the Horror of Getting Exactly What You Asked For

    By Paul Emmanuel EnicolaJune 28, 20260

    (This is a spoiler-free article about Curry Barker’s “Obsession.” For our review of the movie, click…

    Exclusive Interviews

    Indie Interviews: In Conversation with Ari Groobman on His Short Horror Thriller, ‘Projection’

    July 12, 2026

    Interview: Carl Joseph Papa on 58th, Animation, and the Fight Against Forgetting

    June 25, 2026

    Tribeca 2026: Interview with ‘Saba’ Writer and Director Liron Topaz on his Dreamlike Animated Short Film

    June 18, 2026

    Tribeca Festival 2026: Interview with ‘Eeny, Meeny, Miny, Moe!’ Director Andrea Szelesová and Producer Kristina Husová

    June 17, 2026

    Indie Spotlight

    UK Asian Film Festival 2026: ‘Shadowbox/Baksho Bondi’ Navigates a Mind Imprisoned by Illness

    By Vidal DcostaJuly 13, 20260

    The protagonist in “Shadowbox/Baksho Bondi,” Maya (Tillotama Shome) runs a laundry service from home, simultaneously balancing a thankless second job…

    Read More

    ‘The Invite’ Review: Is There Room for Reconciliation or Love Lies Bleeding?

    By Hector GonzalezJuly 12, 20260

    Marriage is a difficult thing. I wouldn’t know from my own experience. But as I’ve seen it through others who…

    Read More

    Indie Interviews: In Conversation with Ari Groobman on His Short Horror Thriller, ‘Projection’

    By Mark ZiobroJuly 12, 20260

    Recently, I reviewed “Projection,” an eerie and effective short horror film from filmmaker Ari Groobman. Horror might be the wrong…

    Read More

    ‘The Death of Robin Hood’ Review: The Classic Tale of a Hero Reconstructed to Both Monotonous Tides and Intriguing Heights

    By Hector GonzalezJuly 8, 20260

    There have been countless retellings of the story of Robin Hood, from animated Disney pictures to campy romps and self-serious…

    Read More
    Latest Posts

    ‘Strung’ Review: The Thriller is Beautiful to Look at but Fails to Deliver Any Thrills

    By Montearo BrownJuly 13, 20260

    UK Asian Film Festival 2026: ‘Shadowbox/Baksho Bondi’ Navigates a Mind Imprisoned by Illness

    By Vidal DcostaJuly 13, 20260

    ‘The Invite’ Review: Is There Room for Reconciliation or Love Lies Bleeding?

    By Hector GonzalezJuly 12, 20260

    Indie Interviews: In Conversation with Ari Groobman on His Short Horror Thriller, ‘Projection’

    By Mark ZiobroJuly 12, 20260
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    Superhero

    ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

    By Vidal DcostaJune 23, 20260

    In a bid to feel less alienated at his new school, Dipu (Mihir Godbole) cooks…

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

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