Filled with authenticity, an endearing heart, and hilarious wry, deadpan comedy, Iranian filmmaker Babak Jalali channels his inner “early-days” Jim…
Author: Hector Gonzalez
Hector Gonzalez
Hector Gonzalez is a Puerto Rican, Tomatometer-Approved film critic and the Co-founder of the PRCA, as well as a member of OFTA and PIFC. He is currently interested in the modern reassessment of Gridnhouse cinema, the portrayal of mental health in film, and everything horror. You can follow him on Instagram @hectorhareviews and Twitter @hector__ha.
Laura Moss’ “birth/rebirth” begins excitingly, reimagining the classic horror myth of Frankenstein with the themes of motherhood and adding a…
The chemistry of “Slow’s” leading duo, Greta Grinevičiūtė and Kęstutis Cicėnas, may be palpable, causing intimate scenes to seem humanistic…
Thanks to Daisy Ridley’s great understated performance and Rachel Lambert’s heartful direction, “Sometimes I Think About Dying” surprises more than…
While “La Pecera” (The Fishbowl) may not play with the magical realism it hinted at during its first act, which…
After two pretty underwhelming features in “An Easy Girl” and “Planetarium,” Rebecca Zlotowski is back in top form, just as she…
“Glass Onion: A Knives Out Mystery” is bigger and more lavish, with moments of big-budget lushness sharply delivered by director…
With only a few seconds in, you can feel the love and care put in Mark Gustafson and Guillermo del…
Mark Mylod’s “The Menu” is an unsavory and toothless satire. It may try to pull some social class-action punches with…
Although there are moments of pretentiousness in its couple of minutes that may cause a quick deride, “Bardo: False Chronicle of…