Andrew Dominik’s adaptation of Joyce Carol Oates’ novel, “Blonde,” often tethers the thin line of provocation and exploitation to a…
Author: Hector Gonzalez
Hector Gonzalez
Hector Gonzalez is a Puerto Rican, Tomatometer-Approved film critic and the Co-founder of the PRCA, as well as a member of OFTA and PIFC. He is currently interested in the modern reassessment of Gridnhouse cinema, the portrayal of mental health in film, and everything horror. You can follow him on Instagram @hectorhareviews and Twitter @hector__ha.
A few months ago, after being gone for six years, Ti West (“The House of the Devil,” “The Innkeepers”) returned…
Ron Howard’s “Thirteen Lives” has incredible underwater sequences that are equally thrilling and cinematic. However, it contains shoddy writing and…
David Leitch’s adaptation of Kōtarō Isaka’s novel, “Bullet Train” is yet another Hollywood all-star gathering that leads to a disappointing…
Andrew Semans’ “Resurrection” is a special Sundance surprise! It’s a psychological thriller that touches on a woman’s damaged individuality and…
Not only is “Nope” Jordan Peele’s best directorial effort, it’s his strongest feature to date. Although the vision is stronger than…
Taika Waititi’s latest venture with the Norse mythology-inspired Marvel god, “Thor: Love and Thunder,” is unamusingly bloated. It has no…
“Top Gun: Maverick” is a surprising stunner crafted with pure adrenaline and kerosene. This highly entertaining popcorn movie surpasses the…
Great voice actors (John Mulaney and Andy Samberg) and crew attached can’t elevate “Chip n’ Dale: Rescue Rangers,” a stale…
The third installment of the Potter-verse prequels, “Fantastic Beasts: The Secrets of Dumbledore,” is remarkably unremarkable, with little to no…