Bertrand Bonello’s “Coma” explores the existential miasma and uncertainty of the future through hallucinogenic playfulness in techniques and aesthetics. It creates…
Author: Hector Gonzalez
Hector Gonzalez
Hector Gonzalez is a Puerto Rican, Tomatometer-Approved film critic and the Co-founder of the PRCA, as well as a member of OFTA and PIFC. He is currently interested in the modern reassessment of Gridnhouse cinema, the portrayal of mental health in film, and everything horror. You can follow him on Instagram @hectorhareviews and Twitter @hector__ha.
Olivia Wilde’s follow-up to her hit directorial debut “Booksmart,” “Don’t Worry Darling,” is the precise definition of being less than…
Crafted by employing the pastel charms of Wes Anderson and the love of Agatha Christie, as well as the “Knives…
Andrew Dominik’s adaptation of Joyce Carol Oates’ novel, “Blonde,” often tethers the thin line of provocation and exploitation to a…
A few months ago, after being gone for six years, Ti West (“The House of the Devil,” “The Innkeepers”) returned…
Ron Howard’s “Thirteen Lives” has incredible underwater sequences that are equally thrilling and cinematic. However, it contains shoddy writing and…
David Leitch’s adaptation of Kōtarō Isaka’s novel, “Bullet Train” is yet another Hollywood all-star gathering that leads to a disappointing…
Andrew Semans’ “Resurrection” is a special Sundance surprise! It’s a psychological thriller that touches on a woman’s damaged individuality and…
Not only is “Nope” Jordan Peele’s best directorial effort, it’s his strongest feature to date. Although the vision is stronger than…
Taika Waititi’s latest venture with the Norse mythology-inspired Marvel god, “Thor: Love and Thunder,” is unamusingly bloated. It has no…