There are no words other than fascinating, beautiful, and entrancing to describe Sara Dosa’s documentary about Katia and Maurice Krafft,…
Author: Hector Gonzalez
Hector Gonzalez
Hector Gonzalez is a Puerto Rican, Tomatometer-Approved film critic and the Co-founder of the PRCA, as well as a member of OFTA and PIFC. He is currently interested in the modern reassessment of Gridnhouse cinema, the portrayal of mental health in film, and everything horror. You can follow him on Instagram @hectorhareviews and Twitter @hector__ha.
Mimi Cave shows us her slick directing style while delivering a carnivorous bite on modern dating with a Hannibal Lecter-approved…
Although Jesse Eisenberg’s directorial debut, “When You Finish Saving the World,” has some strong moments where it shows family failing…
Covid 19 rages, but that isn’t stopping film festivals from delivering the best in quality films to audiences and journalists.…
Although “Jagged” doesn’t tell us something brand new on how Alanis came to be the big star she was back in…
Anita Rocha da Silveira’s “Medusa” does brim with social commentary and reverence of several important topics and transgressions; its best…
“The Story of My Wife” (“A feleségem története,” original title) is a gorgeously-looking 3-hour romance epic about jealousy, amorous escapades,…
“The Mad Women’s Ball” (“Le bal des folles,” original title) has something missing in its narrative that leaves the audience…
Rob Savage’s follow-up to “Host” (2020), “DASHCAM,” is an anarchic disappointment. It has the bloody brigades for gorehounds, except it is…
Lucile Hadžihalilović continues her streak of crafting nightmarish fever-dream-esque films with her latest, “Earwig,” which is a weird film that…