Director Emma Tammi wants the viewer to spend “Five Nights at Freddy’s.” But it is essentially one night too many. The…
Author: Hector Gonzalez
Hector Gonzalez
Hector Gonzalez is a Puerto Rican, Tomatometer-Approved film critic and the Co-founder of the PRCA, as well as a member of OFTA and PIFC. He is currently interested in the modern reassessment of Gridnhouse cinema, the portrayal of mental health in film, and everything horror. You can follow him on Instagram @hectorhareviews and Twitter @hector__ha.
“Aggro Dr1ft” feels like a video game cutscene compilation turned into an eighty-minute feature film; at its worst, it takes…
There are two very special films in this year’s New York Film Festival (NYFF) slate that, coincidentally, center around essential…
“Killers of the Flower Moon” is a lavish-looking picture, stylishly shot by cinematographer Rodrigo Prieto, with an outstanding performance by…
This year’s New York Film Festival (NYFF) has plenty of films from filmmakers who have slowly curated their own unique…
One of the things I love about the New York Film Festival (NYFF) is their curation for each section of…
Occasionally tragic, sometimes straight to the point, and reminiscent of her newly-revisited “Marie Antoinette” and “The Virgin Suicides,” Sofia Coppola’s…
With “The Beast,” Bertrand Bonello concocts a riveting and piercing Matryoshka doll-like exploration of the erasure of emotions amidst artificial…
“The Zone of Interest” is a bone-chilling and distressing piece concocted with Jonathan Glazer’s usual distinctive and experimental directorial hand.…
Todd Haynes returns to melodrama in “May December” with a darkly campy twist that causes his latest work to feel…