In her feature-length debut “Past Lives,” Director Celine Song presents an intimate and delicate three-decade-spanning portrait of the importance people…
Author: Hector Gonzalez
Hector Gonzalez
Hector Gonzalez is a Puerto Rican, Tomatometer-Approved film critic and the Co-founder of the PRCA, as well as a member of OFTA and PIFC. He is currently interested in the modern reassessment of Gridnhouse cinema, the portrayal of mental health in film, and everything horror. You can follow him on Instagram @hectorhareviews and Twitter @hector__ha.
“Fast X” contains all of the ridiculous elements that create a “Fast & Furious film” – Vin Diesel mumbling all…
“Are You There, God? It’s Me, Margaret.” is a touching (and surprisingly brilliant) portrait of the insecurities, awkwardness, and growing…
Even if Nicolas Cage delivers an entertaining, over-the-top performance as Count Dracula and Nicholas Hoult channels his inner Hugh Grant…
In his directorial debut “Inside,” Vasilis Katsoupis talks about the longevity of art and the worth of creation in purposefully…
“Scream VI” changes the scenery by implementing a “Ghostface takes over Manhattan” narrative, ultimately creating two tension-filled and brutal scenes…
The third film in the “Ant-Man” trilogy and introductory piece of the fifth phase in the MCU, “Ant-Man and the…
Michael and Danny Philippou’s “Talk to Me” contains splendid nasty scares, often feeling like Australia’s answer to Sam Raimi’s “The…
Gael García Bernal is excellent in documentarian Roger Ross Williams’ “Cassandro,” as he embodies the two distinct sides (both on and…
Nicole Holofcener’s return to the big screen, “You Hurt My Feelings,” has moments that call back to her best work,…