Gael García Bernal is excellent in documentarian Roger Ross Williams’ “Cassandro,” as he embodies the two distinct sides (both on and…
Author: Hector Gonzalez
Hector Gonzalez
Hector Gonzalez is a Puerto Rican, Tomatometer-Approved film critic and the Co-founder of the PRCA, as well as a member of OFTA and PIFC. He is currently interested in the modern reassessment of Gridnhouse cinema, the portrayal of mental health in film, and everything horror. You can follow him on Instagram @hectorhareviews and Twitter @hector__ha.
Nicole Holofcener’s return to the big screen, “You Hurt My Feelings,” has moments that call back to her best work,…
One of the main things I admire about the Sundance Film Festival is how they select outstanding documentaries each year-round.…
What do you get when you get together three of Europe’s most intriguing screen presences (in Ben Whishaw, Franz Rogowski,…
Like most years, the 2023 Sundance Film Festival has had an eclectic and exciting array of ‘Midnight’ selections. Some films…
Brandon Cronenberg’s latest piece of stylized horror filmmaking, “Infinity Pool,” is a madhouse of depraved body horror delights that takedown…
William Oldroyd’s adaptation of Ottessa Moshfegh’s acclaimed novel, “Eileen,” is a class act in misdirection, for better or worse. The…
Filled with authenticity, an endearing heart, and hilarious wry, deadpan comedy, Iranian filmmaker Babak Jalali channels his inner “early-days” Jim…
Laura Moss’ “birth/rebirth” begins excitingly, reimagining the classic horror myth of Frankenstein with the themes of motherhood and adding a…
The chemistry of “Slow’s” leading duo, Greta Grinevičiūtė and Kęstutis Cicėnas, may be palpable, causing intimate scenes to seem humanistic…