Silence reigns for so much of Angela Schanelec’s bold, brooding and stealthily uplifting “Music” that the title itself starts to…
Author: Kevin Parks
Kevin Parks
Kevin is a freelance writer and film critic who lives in New York. His favorite director is Robert Altman and he dearly misses Netflix's delivery DVD service.
To mark the New York premiere of Annie Baker’s “Janet Planet,” the writer/director programmed a 17-film series, titled “Angels and…
A meandering microscope on pleasure, pain and simply dealing with people, Joanna Arnow’s “The Feeling That the Time for Doing…
Theda Hammel’s “Stress Positions” is an unapologetic steamroller, a high-octane hangout comedy that remarkably conjures a sense of nostalgia for…
Leave it to Ken Loach, that grizzled realist, a seven-decade surveyor of the British working class, to make a sly…
Rare is the film that ought to be longer; bad films are often too long and the greatest are able…
A maze of excess which pairs peril and sudden shrieks of laughter, Aaron Schimberg’s “A Different Man” basks in a…
The plot description for Jessica Hausner’s “Club Zero” suggests viewers ought to take a deep breath before watching, in expectation…
Hirayama’s on the road, off to clean some toilets. The soundtrack, a cassette tape, preferably The Kinks, Patti Smith, or…
Approaching Andrew Haigh’s bewitching “All of Us Strangers,” it’s best to submit to the film’s every whim. This intimate, heartbreaking…