With its main theme of miscommunication, “Nude Tuesday” is a weird, trippy, and funny film about the universality of emotions—from…
Author: Paul Emmanuel Enicola
Paul Emmanuel Enicola
Paul is a Tomatometer-approved film critic inspired by the biting sarcasm of Pauline Kael and levelheaded worldview of Roger Ebert. Nevertheless, his approach underscores a love for film criticism that got its jumpstart from reading Peter Travers and Richard Roeper’s accessible, reader-friendly reviews. As SEO Manager/Assistant Editor for the site, he also serves as a member of the International Federation of Film Critics (FIPRESCI) and the Society of Filipino Film Reviewers.
Imagine a model employee working on a regular morning at a cleaning company. She feeds her newly bought fish after…
“When was the last time you saw him?” a woman asks offscreen as the short film “The Resemblance” opens. We…
In 2009, “Saturday Night Live” aired a sketch that touched upon tourism in Hawaii. In it, guest host Dwayne Johnson…
This is a spoiler-free article about Sam Raimi’s “Doctor Strange in the Multiverse of Madness.” The film is currently in…
The first minutes of “The Unbearable Weight of Massive Talent” see Nick Cage (Nicolas Cage playing a fictionalized version of…
“Hello. I’m Johnny Knoxville. Welcome to Jackass.” As these familiar words punctuate the stupid but hilarious opening of “Jackass Forever,”…
As the Oscar nominations were announced on the morning of February 8, 2022, one thing became clear. For all the…
“Dreams are messages from the deep.” This line, spoken in the alien tongue Sardaukar, prefaces the entire film. And with…
It doesn’t take until about 40 minutes into the film before “Drive My Car” shows its opening credits. The unconventional…