A woman sits alone by the shore, sobbing quietly. We don’t see her face at first, but we feel her…
Author: Paul Emmanuel Enicola
Paul Emmanuel Enicola
Paul is a Tomatometer-approved film critic inspired by the biting sarcasm of Pauline Kael and levelheaded worldview of Roger Ebert. Nevertheless, his approach underscores a love for film criticism that got its jumpstart from reading Peter Travers and Richard Roeper’s accessible, reader-friendly reviews. As SEO Manager/Assistant Editor for the site, he also serves as a member of the International Federation of Film Critics (FIPRESCI) and the Society of Filipino Film Reviewers.
March is Women’s History Month, which aims to pay tribute to women’s significant contributions to history, society, and the world…
It’s fairly safe to say that, at the turn of the 21st Century, a few movie genres have become threatened…
Here’s why most romantic-comedy films are forgettable by the time the audience leaves the theater or closes the movie player…
It’s almost unfathomable that in 2020, Steve McQueen gave us not one, but five films, expertly threading them together to…
Forty-five seconds into the film, we see a shot of a man sitting at the drums; game face on, waiting…
Tackling sensitive and contentious issues in films can be tricky since filmmakers can easily be accused of politicizing simple stories…
Admit it: there’s something cathartic about watching vengeance in films—an almost-unexplainable satisfaction seeing the protagonists finally get the upper hand…