During one of the more predictable sequences of drunken meandering and wanton womanizing in Marco Ferreri’s “Tales of Ordinary Madness”…
Browsing: Foreign
August 2020. The lives of three young professionals intersect in the post-pandemic lockdown Ibiza where they will try to overcome…
One of the theatrical posters for the Kei Ishikawa’s new film “A Man” (Japanese: ある男, “Aru otoko”) features a man…
“Welcome to Luxembourg Airport,” the airport’s information system reads. Time check: 12:25 midnight. In the now-empty arrival area, a single…
When someone with limitations and impediments makes a decision, do we understand how such small action for us might mean…
Filipino director Quark Henares’ return to the director’s chair with this year’s “Where is the Lie?” (Filipino: ‘Marupok AF’) begins…
Maziyar Khatam’s short film “Baba,” co-directed by Anya Chirkova and Meran Ismailsoy, begins with a tense situation: Two men who…
Kimi Takesue’s latest film, “Onlookers,” begins and ends basically with the same scene, albeit shot twice. Both scenes feature a…
The Nepal Cultural International Film Festival (NCIFF) recently concluded its 4th edition. The 3-day event, which is held in association…
“Immaculate” (Romanian: “Imaculat”), Romania’s official selection to the 95th Academy Awards for ‘Best International Feature Film,’ approaches a heavy subject…