Narvel Roth (Joel Edgerton) sits at a desk in a dimly-lit room, writing in a notebook. In another movie, this…
Browsing: Movie Review
“Smile” sprinkles creepy images amidst a chaotic mess of a plot. The result is an average film typical of modern…
“If you want to dance the mask, you must service the composer.” Todd Fields’ first feature in sixteen years, “TÁR”…
Reviewing a film like “Terrifier” is a chore. The feature film written and directed by Damien Leone — based off the…
South Korean-born American filmmaker Kogonada (“After Yang,” “Pachinko”) brings a profound story about connection to the screen in his 2017…
One actress. One room. Four minutes. That’s all filmmaker Sam Evenson needed to craft a chilling flick with “The Changing…
In the closing credits of Ruben Östlund’s Palme d’Or winner “Triangle of Sadness,” Michael Haneke is listed among those the…
João Pedro Rodrigues’ “Will-o’-the-Wisp” (“Fogo-fátuo”) creatively, although disjointedly, examines colonial oppression and the effects of remembrance in the relationship of…
“Insidious” is a horror film that I really want to love. Crafted by James Wan, the 2010 movie is widely…
A goodie bag of candy-colored nostalgia, Noah Baumbach’s “White Noise” is a stylish and ambitious take on Don DeLillo’s postmodern…