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Latest Posts
- TIFF 2024 Review: ‘Mr. K’ Channels Kafka to Let Crispin Glover’s Awkwardness Take Center Stage
  By Paul Emmanuel EnicolaSeptember 11, 2024 0
- ‘Can I Get a Witness’ TIFF 2024 Review: Skilled World Building and Visuals Elevate Ann Marie Flemings Sci-Fi Offering
  By Daniel PrinnSeptember 8, 2024 0
- ‘Beetlejuice Beetlejuice’ Review: Tim Burton is Alive Once Again Visually, yet Narratively Gone
  By Hector GonzalezSeptember 8, 2024 0
- TIFF 2024 Review: ‘Paying for It’ Infuses Humor and Reason in Destigmatizing Transactional Sex
  By Paul Emmanuel EnicolaSeptember 7, 2024 0
Indie Film Highlights
TIFF 2024 Review: ‘Paying for It’ Infuses Humor and Reason in Destigmatizing Transactional Sex

By Paul Emmanuel EnicolaSeptember 7, 2024 0

Over the years, there have been several films that tackle the use of sex as a substitute for emotional connection,…
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Spotlight on Classic Film

Review: 75 Years Before ‘Jurassic Park’ there was ‘The Ghost of Slumber Mountain’

By Matt DeCristoMay 22, 2024 0

Review: ‘Godzilla,’ the 1954 Franchise Opener, Still Stands as Strong Historical Significance 33 Films Later

By Mark Ziobro—Editor-in-ChiefDecember 10, 2023 0

Canon Construction & Destruction: Outside the Top 100, Howard Hawks’ ‘Rio Bravo’ Can’t Match the Energy of his Screwball Triumphs

By Kevin ParksAugust 28, 2023 0

Review: Hitchcock’s ‘Vertigo’ — a Rippling Classic Way Ahead of its Time

By Ella RuniDecember 24, 2022 0

About Us

The Movie Buff is a global film and entertainment magazine with a focus on Hollywood, world cinema, and indie film. We cover everything from old DVD favorites to streaming to Box Office.

Indie filmmakers interested in coverage, please email screeners or inquiries to submissions@themoviebuff.net.
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