Ashley Judd and Hugh Jackman star in “Someone Like You…” – a romantic comedy basked in stereotypes that tries not to be insulting while at the same time yearning to be sweet. The movie co-stars Greg Kinnear (nominated for an Oscar for ‘Best Supporting Actor’ for “As Good as it Gets” in 1997), and involves a love triangle – sort of. Judd plays a New York City talk show talent scout who falls in love, gets her heart broken, and spends the rest of the movie trying to make sense out of it all. The film throws around a lot of stereotypes and character portraits you’d find on any cover of Maxim or Cosmopolitan magazine, but, amidst it all, avoids painting villains and makes the assumption that love may in fact be worth it.
“Someone Like You…” keeps its plot simple: Jane Goodale (Judd) falls for a TV exec on the set of her startup show (Kinnear) – except there’s a catch. Kinnear’s Ray Brown is in a committed relationship but he wants out – or so he thinks. After a whirlwind romance, and weeks before moving in with Jane, he backs out, sending Jane on a quest to discover why males ‘can’t commit.’ At the behest of her columnist friend Liz (Marisa Tomei), Jane delves into a ‘New Cow Theory’ (that is carried on in the film for far too long) – which attempts to explain why men always leave women for a newer specimen when offered the chance. Of course she’s emboldened in her quest by her work partner Eddie (Jackman), a serial womanizer who avoids commitment like the plague.
If this all sounds cliché to you, it is, and if you assume (correctly), that there’s more than meets the eye to these characters, you’d be right. The acting is apt, though the main characters are more or less constrained by a script that wants them to be one dimensional. For instance we have Kinnear, who while charming in “As Good as it Gets,” here plays a man who knows what he wants, changes his mind, then wants it again.
Jane is no better developed, spending a quarter of the movie in love, another half depressed and cynical, her catharsis postponed to the film’s near conclusion. And Jackman, a terrific actor as evidenced by his roles in films like “Les Miserables” and “Prisoners,” is here constrained to the cynical playboy. Of all these characters Eddie has the greatest arc – even if it isn’t completed until the movie’s near close, in a heated scene with Judd in his apartment that validates both their emotions with pain and realism.
You can’t blame “Someone Like You…” for trying. It takes a simple concept – a search for companionship and love, and explores it in a way that, while cynical, is never hopeless. It’s filled with thoughtful scenes (such as one between Goodale’s sister and her husband that shows Jane what true love can be, and another as Eddie bumps into an ex that is well-acted and realistic); and, while Jane’s awakening is slow going, she’s never painted as vindictive or mean. Under it all, these are nice characters. Their desires and motives are simple, and over the course of the movie we grow to like and understand them.
Some other players, such as Catherine Dent, who plays Jane’s sister, and Ellen Barkin, who plays the film’s talk show host Diane Roberts, round out the cast. Barkin in particular plays a bigger role than initially thought. And Kinnear, while one-sided, fits into the plot in important ways; ways that won’t be spoiled here. It all fits together; and what works about “Someone Like You…” is that while its characters are often cynical, the movie isn’t – a discovery less intelligent films such as “How to Lose a Guy in 10 Days” simply don’t share.
– by Mark Ziobro
